{"version":"1.0","provider_name":"The Victorian Society","provider_url":"https:\/\/www.victoriansociety.org.uk","author_name":"Ruth Miller","author_url":"https:\/\/www.victoriansociety.org.uk\/author\/ruthvictoriansociety-org-uk\/","title":"Innovations in the Art & Craft of Stained Glass in the 19th Century","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JfovnMpBib\"><a href=\"https:\/\/www.victoriansociety.org.uk\/event\/online-lecture-innovations-in-the-art-and-craft-of-stained-glass-in-the-19th-century\/\">Online Lecture: Innovations in the Art and Craft of Stained Glass in the 19th Century<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.victoriansociety.org.uk\/event\/online-lecture-innovations-in-the-art-and-craft-of-stained-glass-in-the-19th-century\/embed\/#?secret=JfovnMpBib\" width=\"600\" height=\"338\" title=\"&#8220;Online Lecture: Innovations in the Art and Craft of Stained Glass in the 19th Century&#8221; &#8212; The Victorian Society\" data-secret=\"JfovnMpBib\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.victoriansociety.org.uk\/wp-content\/uploads\/CWWhall_ChWarden_AngelsTracery_2-scaled.jpg","thumbnail_width":2560,"thumbnail_height":2147,"description":"The quest for materials that would evoke the chromatic and textural qualities of early medieval stained glass inspired the work of manufacturers, artists and architects during the Victorian era. This illustrated lecture examines how the art form evolved alongside new technical developments."}